{"id":6153,"date":"2019-11-01T12:45:07","date_gmt":"2019-11-01T04:45:07","guid":{"rendered":"https:\/\/avat-art.org\/?p=6153"},"modified":"2022-05-13T13:31:48","modified_gmt":"2022-05-13T05:31:48","slug":"liangtingyu2019","status":"publish","type":"post","link":"https:\/\/avat-art.org\/en\/liangtingyu2019\/","title":{"rendered":"\u300c\u58b3\uff0e\u5c4d\u9aa8\uff0e\u7d05\u58e4\u5c64\u300d\u6881\u5ef7\u6bd3\u500b\u5c55"},"content":{"rendered":"
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\u95dc\u65bc\u5c55\u89bd\uff5c<\/strong><\/p>

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\u5c55\u5340\u4e00<\/strong>
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\u5c55\u89bd\u65e5\u671f\uff5c2019.11.02\u200b (\u516d) \u2013 2019.12.07 (\u516d)
\u53c3\u89c0\u6642\u9593\uff5c\u9031\u4e8c\uff0d\u9031\u516d 11:00 – 19:00<\/p>

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\u5c55\u89bd\u65e5\u671f\uff5c2019.11.09 (\u516d) \u2013 2019.12.22 (\u65e5)
\u53c3\u89c0\u6642\u9593\uff5c\u9031\u516d\u3001\u9031\u65e5 12:00 – 18:00<\/p>

\u8a08\u756b\u7c21\u4ecb\uff5c<\/strong><\/p>

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\u6d3b\u52d5\u8cc7\u8a0a\uff5c<\/strong><\/p>

\u5c55\u89bd\u5c0d\u8ac7\u6703<\/strong><\/p>

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\u6642\u9593\uff5c11.02 (\u516d) 15:30-17:30
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\u6642\u9593\uff5c12.07 (\u516d) 14:00-16:00
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\u8a08\u756b\u8b1b\u5ea7<\/strong><\/p>

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\u6642\u9593\uff5c11.09 (\u516d) 14:00-16:00
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\u6642\u9593\uff5c11.17 (\u65e5) 14:00-16:00
\u5730\u9ede\uff5c\u9f8d\u6f6d\u91cc\u6d3b\u52d5\u4e2d\u5fc3 (\u6843\u5712\u5e02\u9f8d\u6f6d\u5340\u5357\u9f8d\u8def21\u865f)
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\u6642\u9593\uff5c12.21 (\u516d) 14:00-16:00
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\u8b1b\u6f14\u66a8\u653e\u6620\u5de5\u4f5c\u574a<\/strong><\/p>

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\u5730\u9ede\uff5c\u9f8d\u6f6d\u91cc\u6d3b\u52d5\u4e2d\u5fc3 (\u6843\u5712\u5e02\u9f8d\u6f6d\u5340\u5357\u9f8d\u8def21\u865f)<\/p>

\u25a0 \u756a\u8089\u8003
\u6642\u9593\uff5c12.21 (\u65e5) 10:30-12:00
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\u7814\u7a76\u767c\u8868<\/strong><\/p>

\u25a0 \u7814\u8a0e\u6703\u8b70
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\u53c3\u8207\u6703\u8b70\u65e5\u671f\uff5c11.23-11.24\uff08\u672c\u6587\u5c07\u65bc\u5176\u4e2d\u4e00\u5929\u7684\u8b70\u7a0b\u53ca\u6642\u6bb5\u9032\u884c\u767c\u8868\uff09
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\u5f71\u5c55\u653e\u6620\u5834<\/strong><\/p>

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\u653e\u6620\u5f71\u7247\uff5c\u3008\u756a\u9871\u8003\u3009(26min\uff0c\u55ae\u983b\u9053\u5f71\u50cf\uff0c2018)<\/p>

\u8a08\u756b\u804a\u8ac7\u6703<\/strong><\/p>

\u25a0 \u81ea\u7136\u6e9d\u901a\u8207\u901a\u9748\u6280\u8853
\u6642\u9593\uff5c11.30 (\u516d) 14:00-16:00
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\u8207\u8ac7\u4eba\uff5c\u6881\u5ef7\u6bd3\uff08\u85dd\u8853\u5bb6\uff09<\/p>

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Necropolis \u2027 Necro \u2027 The Red Soil<\/strong>
LIANG Ting-Yu<\/strong>\u00a0Solo Exhibition<\/p>

About Exhibition\uff5c<\/strong><\/p>

Serving as the mark of the geomorphological phenomenon of river capture, the artist sees this juncture of Taoyuan Daxi, Longtan, Fuxing and Hsinchu Guanxi as the core of the past intermingling multi-ethnic society, pointing out today\u2019s incoming settlers in a way corresponding to the formation of the memory as well as the narrative structure of settler colonialism. It is thus necessary to trace back to the interrelationship between the five ethnic groups in this area, the Hakka, the Atayal, the Ketagalan, the Taukat, and the Hoklo, along with their understanding of the natural ties among the land, ridge, valley, and rocks, which would present themselves in their most complicated state in history. The narrative push of \u2018necropolis\/grave\u2019, \u2018necro\/corpse\u2019, and the \u2018red soil\u2019 derived from the idea of \u2018death\u2019 refocuses on the position of the narrators, modifying and reshaping the content and perspective to reveal a multi-ethnic, multi-species geography as well as a dynamically flowing narrative.<\/p>

As a part of the research and art project, this exhibition continues to explore the artist\u2019s consistent focus, dealing with the investigation as well as negotiation of history, based on the topology created through interaction of the five groups. Such interactions include that of the indigenous themselves, the indigenous and the Han, the geographical and ethnic convergence, the unique collective perspective formed through endless conflicts, the shifting borders and death sites. In addition, this exhibition includes a series of events such as the psychic discussion group, workshop, statement presentation, local screening and more. The exhibiting video collection, through different speakers, illustrates their overlapping and distinctive memory of landscape, cosmology and contact field, and by practicing spiritual inquiries, the geographical interrelationship as well as the borders of natural elements have opened up a space for negotiation, which enables the continuance of the realisation of the plan.<\/p>

Exhibition\u00a0Zone 1<\/strong>
Place\uff5cFreeS Art Space
Dates\uff5c11.02 (Sat) – 12.07 (Sat)
Opening Hours\uff5c11:00 – 19:00<\/p>

Exhibition\u00a0Zone 2<\/strong>
Place\uff5cLing-Tang Street Creative Hub
Dates\uff5c11.09 (Sat) – 12.22 (Sun)
Opening Hours\uff5cSaturdays and Sundays, 12:00 – 18:00<\/p>

Introduction of the project\uff5c<\/strong><\/p>

\u200bThrough action research and exhibition practice, overlapped with the field of cultural studies, historical science, anthropology, and geography, the art project intends to connect the multiple issues including conflicts among the indigenous as well as conflicts between the indigenous and the Hakka, the settlers, the indegenous-meat-eating, and tribal boundaries. Adopting the methodology of creative\/research discourse, film collection, and topological writing, it aims to open doors to a probelmetic interdisciplinery zone in order to further a dialogue, a debate, a solid cross-field work that directs towards critical artistic approaches.<\/p>

About Artist\uff5c<\/strong><\/p>

LIANG Ting-Yu<\/p>

\u200bLiang Ting Yu (b. 1994, Taiwan) is currently enrolled in the Graduate Institute of Trans-disciplinary Arts at the Taipei National University of the Arts. Liang\u2019s practice focuses on integrating regional investigations and studies with project-based art actions and mixed media art. He examines issues related to historical archives and ethnic relations, and has recently expanded into exploring archives and local myths and legends. Using motion images, local ghost stories, image production, and writing, he creates art that looks into relationships between ghosts and topography.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

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