《假如在那艘船上》湯雅雯個展

If on that ship

關於展覽|

我總是想著,如果我也在那艘船上該有多好啊,跟著年輕時的那個男人一起踏遍世界,參與那段我未出生的經歷,而那個男人後來成為了我的父親。這是一個對於欲望追尋的起手式,想像我就與他並肩地站在甲板上,望著同一片海洋。在這個展覽裡,我將物件與影像皆視為物質性的存在,它們各自獨立、卻又如小說篇章般的互文、娓娓道來。

「船是延伸的陸地,移動的世界。」那艘船沿著地圖上的筆跡駛向各地,在時間序中往返穿梭著,而虛實參半的事件就在此時此刻被紮實的就地建立,在這一連串的敘事之中,主體也慢慢地被顯影出來。他如實地、真實地出現在這裡,看得更清楚了。

《假如在那艘船上》湯雅雯 個展
2019.07.13​ – 08.17

開幕|2019.07.13 (六) 15:00
座談會|2019.08.17 (六) 16:00
與談人 |王雅慧、王品驊

關於藝術家|

湯雅雯

出生桃園,目前創作於臺灣臺北。作品以複合媒材裝置為主,結合了機器、機械零件、現成物等,揉合成一感性物件的載體。通過機械的抽象運動方式去傳達一種超越視覺與現實所見的細微感受。透過作品中的抽象時間軸,試圖創造出一處無座標位置,進而重塑出一個自身血緣認同的微歷史,以及一種傳統雄性文化的陰性書寫與詮釋。

If on that ship
Tang, Ya-Wen Solo Exhibition

About Exhibition|

I always wonder how wonderful it would be if I were on that ship, if I could go everywhere over the world with that young man who later become my father, if I could take part in all his journeys before I was even born. This is the first action taken to pursue and satisfy those desires, by imagining standing next to him on the deck and staring at the sea with him. Both the objects and video clips in this exhibition are deemed as materialized existences. They exist independently while being complimentary like every chapter in a novel. They are to complete one another.

“The ship is an extension of the land and a moving universe.” The ship follows the pencil trace on the map, sails around the world and goes back and forth through the sequence of time. That is exactly where all the half-fictional events happen and establish the truth. As the narrative goes further, the subject appears bit by bit and becomes clearer and truer.

Dates|2019.07.13 (Sat) – 08.17 (Sat)
Opening|2019.07.13(Sat) 15:00
Discussion |2019.08.17 (Sat) 16:00
Talking With|WANG Ya-Hui, WANG Pin-Hua

About Artist|

Tang, Ya-Wen

1993
Born in Taoyuan. Work in Taipei, Taiwan.

The work is a mixed media installation combining machines, mechanic components and ready-made objects that made in to carrier of sentimental objects. Through the abstract movements of machines, the subtle feelings that are beyond the aspect of both abstract and reality are delivered. Within the abstract timeline in the work, the artist strives to create a place with no specific coordinate position, to further rebuild a micro history with an aspect of feminine writing and interpretation that gives the sense of personal identification under the traditional masculine culture.